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第122章

my name is red-我的名字叫红-第122章

小说: my name is red-我的名字叫红 字数: 每页3500字

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nightgown  of  Chinese  silk  she  was  wearing;  which  she’d  purchased  from 
Esther  the  clothier;  then  mockingly  parroted  me;  “Allow  me  to  put  some 
linden  tea  on  the  boil  for  you;  my  dear  guest;”  and  placed  her  hand  on  my 
cock。 
I  took  out  the  agate…handled  sword  hidden  among  rose…scented  sheets  at 
the bottom of the chest on the floor nearest our roll…up mattress; which she’d 
hopefully  spread  out;  and  drew  the  weapon  from  its  sheath。  Its  edge  was  so 
sharp that if you tossed a silk handkerchief over it; the sword would easily cut 
through it; if you placed a sheet of gold leaf upon it; the edges of the resulting 
pieces would be as straight as any cut with a ruler。 
Concealing the sword as best I could; I returned to my atelier。 Black Effendi 
was so pleased with his interrogation of me that he was still circling the red 
cushion; dagger in hand。 I placed a half…finished illustration upon the cushion。 
390 
 
“Take a look at this;” I said。 He knelt out of curiosity; trying to understand the 
picture。 
I stepped behind him; drew my sword and in one motion lowered him to 
the ground; pinning him with my weight。 His dagger fell away。 Grabbing him 
by the hair; I pushed his head against the ground and pressed my sword to his 
neck  from  below。  I  flattened  out  Black’s  delicate  body  and  pressed  him 
facedown beneath my heavy body; using my chin and one free hand to push 
his head so it nearly touched the sharp point of the sword。 My one hand was 
full of his dirty hair; the other held the sword to the delicate skin of his throat。 
Wisely;  he  didn’t  move  at  all;  because  I  could  have  finished  him  then  and 
there。  Being  this  close  to  his  curly  hair;  to  the  nape  of  his  neck—which 
might’ve  invited  an  insulting  slap  at  another  time—and  to  his  ugly  ears 
enraged me all the more。 “I’m using all my restraint to keep from doing away 
with you this instant;” I whispered into his ear as if divulging a secret。 
That  he  listened  to  me  like  an  obedient  child  without  making  a  peep 
pleased me: “You’ll recognize this legend from the Book of Kings;” I whispered。 
“Feridun Shah; in error; bequeaths the worst of his lands to his two older sons 
and  the  best;  Persia;  to  Iraj;  the  youngest。  Tur;  bent  on  revenge;  dupes  his 
younger  brother;  Iraj;  of  whom  he  is  jealous;  before  he  cuts  Iraj’s  throat;  he 
grabs  his  hair  just  as  I  am  doing  now  and  lies  on  top  of  him  with  all  his 
weight。 Do you feel the weight of my body?” 
He gave no answer; but from his eyes; which stared blankly like those of a 
sacrificial  lamb;  I  could  tell  that  he  was  listening;  and  I  was  struck  with 
inspiration: “I’m not only faithful to Persian styles and methods in painting; 
but also in beheadings。 I’ve also seen another version of this much loved scene 
that describes Shah Siyavush’s death。” 
I explained to Black; who listened silently; how Siyavush made preparations 
for  avenging  his  brothers;  how  he  burned  down  his  entire  palace;  all  his 
belongings  and  property;  how  he  forgivingly  parted  from  his  wife;  mounted 
his steed and went to war; how he lost the battle and was dragged by his hair 
along the ground before being laid out facedown “just as you are now;” and 
how  a  knife  was  pressed  against  his  throat;  how  there  erupted  an  argument 
between his friends and enemies over whether they should kill him or let him 
free  and  how  the  defeated  king;  his  face  in  the  dirt;  listened  to  his  captors。 
Then I asked him; “Are you fond of that illustration? Geruy es up behind 
Siyavush; as I have to you; gets on top of him; rests his sword against his neck; 
grabs a fistful of hair and cuts his throat。 Your red blood; soon to flow; makes 
black dust rise from the dry earth; where later still; a flower will bloom。” 
391 
 
I fell quiet and from distant streets we could hear the Erzurumis screaming 
as they ran。 The terror outside at once brought the two of us; lying one on top 
of the other; closer。 
“But in all those pictures;” I added; pulling harder on Black’s hair; “one can 
sense the difficulty of elegantly drawing two men who despise each other yet 
whose bodies; like ours; have bee as one。 It’s as if the chaos of treachery; 
envy and battle that es just before the magical and magnificent moment 
of beheading has too fully permeated those pictures。 Even the greatest masters 
of Kazvin would have difficulty drawing two men on top of each other; they’d 
confuse everything。 Whereas you and I; see for yourself; we’re much more tidy 
and elegant。” 
“The blade is cutting;” he whimpered。 
“I’m much obliged for your polite words; my dear man; but it’s doing no 
such thing。 I’m being quite careful。 I wouldn’t do anything to ruin the beauty 
of our pose。 In the scenes of love; death and war; wherein the great masters of 
old  rendered  intertwined  bodies  as  if  they  were  one;  they  were  able  to  elicit 
only our tears。 See for yourself: My head rests upon the nape of your neck as if 
it were a part of your body。 I can smell your hair and the scent of your neck。 
My legs; on either side of yours; are stretched out in such harmony with yours; 
that  an  onlooker  might  mistake  us  for  an  elegant  four…legged  beast。  Do  you 
feel  the  balance  of  my  weight  on  your  back  and  buttocks?”  Another  silence; 
but  I  didn’t  press  the  sword  upward;  because  it  would  indeed  have  cut  his 
throat。 “If you’re not going to speak; I might be provoked to bite your ear;” I 
said; whispering into that very ear。 
When I noticed in his eyes that he was prepared to speak; I asked the same 
question again: “Do you feel the balance of my weight upon your body?” 
“Aye。” 
“Do you like it?” I said。 “Are we beautiful?” I asked。 “Are we as beautiful as 
the   legendary   heroes   who   slay   each   other   with   such   elegance   in   the 
masterpieces of the old masters?” 
“I don’t know;” said Black; “I can’t see us in the mirror。” 
When I imagined how my wife saw us from the other room in the light cast 
by the coffeehouse’s oil lamp resting on the floor only a short distance away; I 
thought I might actually bite Black’s ear out of excitement。 
392 
 
“Black  Effendi;  you;  who  have  forced  your  way  into  my  home  and  have 
disturbed my privacy; dagger in hand; in order to interrogate me;” I said; “do 
you now feel my strength?” 
“Yes; I also sense that you’re truly in the right。” 
“Then proceed; once again; to ask me what you want to know。” 
“Describe how Master Osman would caress you。” 
“As an apprentice; I was much more lithe; delicate and beautiful than I am 
now; and he would mount me then the way I have mounted you。 He would 
caress my arms; at times he would even hurt me; but because I was in awe of 
his  knowledge;  his  talent  and  strength;  what  he  did  pleased  me;  and  I  never 
harbored any ill will toward him; because I loved him。 Loving Master Osman 
enabled me to love art; colors; paper; the beauty of painting and illumination 
and everything that was painted; and thereby to love the world itself and God。 
Master Osman is more than a father to me。” 
“Would he beat you often?” he asked。 
“In the role of a father; he beat me with an appropriate sense of justice; as a 
master;  he  beat  me  painfully  so  that  I  might  learn  from  the  punishment。 
Thanks to the pain and the fear of a ruler whacking my fingernails I learned 
many things better and faster than I would’ve alone。 So he wouldn’t grab me 
by my hair and bang my head against the wall when I was an apprentice; I’d 
never  spill  paint;  never  waste  his  gold  orize;  for 
example;  the  curve  of  a  horse’s  foreleg;  cover  up  the  mistakes  of  the  master 
limner;  clean  my  brushes  regularly  and  focus  my  attention  and  spirit  on  the 
page before me。 Since I owe my talent and mastery to the beatings I received; I; 
in turn; beat my own apprentices without a guilty conscience。 

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